Electronica · 2011
Merveille & Crosson
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
The Day You Left by Merveille & Crosson is a bass-heavy Electronica track at 110 BPM with moderate drive and subtle groove. At 30% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 5 Dec 2011 · 4:10 · 39% mood · -14 dB loudness
The feel
The warmth is the story here — 91% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
30% energy places it in the warm-up — setting the room up before the climb.
110 BPM — squarely in electronica territory, mixable within roughly 105–115 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~105–115 BPM.
Warm-up and opener — 30% energy sets the tone before the energy climbs.
Explore: 110 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Veridis Quo
Daft Punk
107 BPM · 8A · Electronica
Same key · -3 BPM — seamless blend
Shiny Nowhere
Earthen Sea
112 BPM · 8A · Electronica
Same key · +2 BPM — seamless blend
Man on the Run
Be Svendsen
110 BPM · 8A · Electronica
Same key · same BPM — seamless blend
Beyond the Machine
Move D
108 BPM · 8B · Electronica
Relative key · -2 BPM — seamless blend
Blue Train Lines
Mount Kimbie
113 BPM · 8B · Electronica
Relative key · +3 BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 31% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Shiny Nowhere
Earthen Sea · 112 BPM · 8A
91 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Nine.f.t.f.
Henrik Raabe · 109 BPM · 8B
88 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 4:10 — the outro gives you a full phrase to work with.
Souls Beyond The Looking Glass
Franck Kartell · 110 BPM · 7A
88 chemistry