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Tracks/The Day You Left
The Day You Left album art

Electronica · 2011

The Day You Left

Merveille & Crosson

110

BPM

8A

A Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

The Day You Left by Merveille & Crosson is a bass-heavy Electronica track at 110 BPM with moderate drive and subtle groove. At 30% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 5 Dec 2011 · 4:10 · 39% mood · -14 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthwarm

The warmth is the story here — 91% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

30% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is The Day You Left?

110 BPM — squarely in electronica territory, mixable within roughly 105–115 BPM without pitch artefacts.

What key is The Day You Left in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with The Day You Left?

Tracks in 8A, 8B, 7A or 9A between ~105–115 BPM.

Where does The Day You Left fit in a DJ set?

Warm-up and opener — 30% energy sets the tone before the energy climbs.

Explore: 110 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

513 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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107 BPM · 8A · Electronica

Same key · -3 BPM — seamless blend

91

Shiny Nowhere

Earthen Sea

112 BPM · 8A · Electronica

Same key · +2 BPM — seamless blend

86

Man on the Run

Be Svendsen

110 BPM · 8A · Electronica

Same key · same BPM — seamless blend

86

Beyond the Machine

Move D

108 BPM · 8B · Electronica

Relative key · -2 BPM — seamless blend

83

Blue Train Lines

Mount Kimbie

113 BPM · 8B · Electronica

Relative key · +3 BPM — seamless blend

Mixing out of this track.

Now110 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 31% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Shiny Nowhere

Earthen Sea · 112 BPM · 8A

91 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Nine.f.t.f.

Henrik Raabe · 109 BPM · 8B

88 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 4:10 — the outro gives you a full phrase to work with.

Souls Beyond The Looking Glass

Franck Kartell · 110 BPM · 7A

88 chemistry

More around 110 BPM in compatible keys.

Can't Feel My Face

The Weeknd · 108 BPM · 8A

LOYALTY.

Rihanna · 111 BPM · 8A

Veridis Quo

Daft Punk · 107 BPM · 8A

Midas

Maribou State · 115 BPM · 8A

Signs

Snoop Dogg · 113 BPM · 8A

DE CAROLINA

Rauw Alejandro · 111 BPM · 8A