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Tracks/Got It
Got It album art

Dance · 2015

Got It

Marian Hill

83

BPM

1A

A♭ Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Got It by Marian Hill is a bass-forward Dance track at 83 BPM with moderate drive and subtle groove. At 40% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 25 Sep 2015 · 4:37 · 50% mood · -13 dB loudness

The feel

Groovesubtle
Bass weightforward
Drivemoderate
Warmthwarm

The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

40% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Got It?

83 BPM — squarely in dance territory, mixable within roughly 78–88 BPM without pitch artefacts.

What key is Got It in?

A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.

What mixes well with Got It?

Tracks in 1A, 1B, 12A or 2A between ~78–88 BPM.

Where does Got It fit in a DJ set?

Groove sustainer — 40% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 83 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

179 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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89

The First Rebirth

Jones & Stephenson

80 BPM · 1A · Dance

Same key · -3 BPM — seamless blend

87

Let Me Out (feat. Mavis Staples & Pusha T) - Banx & Ranx Remix

Pusha T

81 BPM · 1A · Dance

Same key · -2 BPM — seamless blend

82

Bye Bye Bye

*NSYNC

86 BPM · 1A · Pop

Same key · +3 BPM — seamless blend

83

Love Is to Die

Warpaint

86 BPM · 1B · Dance

Relative key · +3 BPM — seamless blend

83

I Can't Lose

Mark Ronson

84 BPM · 2A · Dance

Adjacent key · +1 BPM — seamless blend

Mixing out of this track.

Now83 BPM · 1A→ three ways forward
Hold the groove

1A → 1A

Same key, ±2 BPM. With 23% groove and heavy bass, long blends work — cut the incoming bass until the switch.

The First Rebirth

Jones & Stephenson · 80 BPM · 1A

89 chemistry

Push the energy

1A → 1B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Love Is to Die

Warpaint · 86 BPM · 1B

83 chemistry

Change direction

1A → 12A · 2A

Adjacent keys through a breakdown. This one runs 4:37 — the outro gives you a full phrase to work with.

I Can't Lose

Mark Ronson · 84 BPM · 2A

83 chemistry

More around 83 BPM in compatible keys.

Don't Let Me Down

The Chainsmokers · 80 BPM · 1A

Bye Bye Bye

*NSYNC · 86 BPM · 1A

Hit the Road Jack

Ray Charles · 87 BPM · 1A

GOMF

Latto · 81 BPM · 1A

Snap Yo Fingers

E-40 · 82 BPM · 1A

La Pregunta

J Alvarez · 86 BPM · 1A