Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Dirty Nathy by Lorenzo Mauro, Juan Castillo is a bass-heavy Techno (Raw / Deep / Hypnotic) track at 69 BPM with high drive and balanced groove. At 71% energy, it delivers peak-time intensity.
Released 1 Jan 2023 · 5:36 · 52% mood · -11 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
71% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Techno (Raw / Deep / Hypnotic) producer and DJ.
132
Median BPM
3A
Top key
3
Tracks
69 BPM — squarely in techno (raw / deep / hypnotic) territory, mixable within roughly 64–74 BPM without pitch artefacts.
C Major — 8B on the Camelot wheel. Harmonically compatible with 8A, 7B and 9B.
Tracks in 8B, 8A, 7B or 9B between ~64–74 BPM.
Peak-time weapon — 71% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 69 BPM tracks · 8B tracks · 8B → 8A key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Quad
Klint
70 BPM · 9B · Techno (Raw / Deep / Hypnotic)
Adjacent key · +1 BPM — seamless blend
Miasma
Sigvard
69 BPM · 8B · Techno (Raw / Deep / Hypnotic)
Same key · same BPM — seamless blend
Mind Bender
Chris Liebing
66 BPM · 8B · Techno (Raw / Deep / Hypnotic)
Same key · -3 BPM — seamless blend
Paraeidolie
W/CYA
69 BPM · 8B · Techno (Raw / Deep / Hypnotic)
Same key · same BPM — seamless blend
At The End Of The Corridor
Atonism
69 BPM · 8A · Techno (Raw / Deep / Hypnotic)
Relative key · same BPM — seamless blend
8B → 8B
Same key, ±2 BPM. With 42% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Miasma
Sigvard · 69 BPM · 8B
93 chemistry
8B → 8A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
At The End Of The Corridor
Atonism · 69 BPM · 8A
89 chemistry
8B → 7B · 9B
Adjacent keys through a breakdown. This one runs 5:36 — the outro gives you a full phrase to work with.
Standing Wave
Nicko Shuo · 70 BPM · 9B
88 chemistry