R&B · 2003
Loose Ends
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Hangin' On A String by Loose Ends is a bass-heavy R&B track at 105 BPM with low drive and balanced groove. At 18% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Jan 2003 · 5:51 · 42% mood · -17 dB loudness
The feel
The warmth is the story here — 92% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
18% energy places it in the warm-up — setting the room up before the climb.
105 BPM — squarely in r&b territory, mixable within roughly 100–110 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~100–110 BPM.
Warm-up and opener — 18% energy with a steady groove sets the tone before the energy climbs.
Explore: 105 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Upside Down
Diana Ross
108 BPM · 7B · R&B
Key jump · +3 BPM — seamless blend
Brick House
Commodores
106 BPM · 8A · R&B
Same key · +1 BPM — seamless blend
More Bounce to the Ounce
Zapp & Roger
105 BPM · 7B · R&B
Key jump · same BPM — seamless blend
Why You Get Funky On Me - From "House Party" Soundtrack
Today
110 BPM · 9A · R&B
Adjacent key · +5 BPM — seamless blend
Just Be Good To Me
The S.O.S. Band
101 BPM · 9A · R&B
Adjacent key · -4 BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 63% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Brick House
Commodores · 106 BPM · 8A
91 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Can't Stop
After 7 · 97 BPM · 8B
82 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 5:51 — the outro gives you a full phrase to work with.
Just Be Good To Me
The S.O.S. Band · 101 BPM · 9A
87 chemistry