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Tracks/Hangin' On A String
Hangin' On A String album art

R&B · 2003

Hangin' On A String

Loose Ends

105

BPM

8A

A Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Hangin' On A String by Loose Ends is a bass-heavy R&B track at 105 BPM with low drive and balanced groove. At 18% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 1 Jan 2003 · 5:51 · 42% mood · -17 dB loudness

The feel

Groovebalanced
Bass weightheavy
Driverestrained
Warmthwarm

The warmth is the story here — 92% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

18% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Hangin' On A String?

105 BPM — squarely in r&b territory, mixable within roughly 100–110 BPM without pitch artefacts.

What key is Hangin' On A String in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with Hangin' On A String?

Tracks in 8A, 8B, 7A or 9A between ~100–110 BPM.

Where does Hangin' On A String fit in a DJ set?

Warm-up and opener — 18% energy with a steady groove sets the tone before the energy climbs.

Explore: 105 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

489 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now105 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 63% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Brick House

Commodores · 106 BPM · 8A

91 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Can't Stop

After 7 · 97 BPM · 8B

82 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 5:51 — the outro gives you a full phrase to work with.

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The S.O.S. Band · 101 BPM · 9A

87 chemistry

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