House · 2009
Laura Alford
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Hold On (To Your Good Thang) [Pound Boys Vocal Mix] by Laura Alford is a bass-heavy, groove-locked House track at 126 BPM with moderate drive and strong groove. At 28% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 9 Sep 2009 · 7:08 · 53% mood · -15 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
28% energy places it in the warm-up — setting the room up before the climb.
126 BPM — squarely in house territory, mixable within roughly 121–131 BPM without pitch artefacts.
D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.
Tracks in 10B, 10A, 9B or 11B between ~121–131 BPM.
Warm-up and opener — 28% energy with strong groove sets the tone before the energy climbs.
Explore: 126 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide · House mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Big Love
Pete Heller's Big Love
127 BPM · 11B · House
Adjacent key · +1 BPM — seamless blend
Let's Go
Fast Eddie
124 BPM · 10B · House
Same key · -2 BPM — seamless blend
Let's Go
Gemini
125 BPM · 10A · House
Relative key · -1 BPM — seamless blend
The Cure & The Cause - Dennis Ferrer Remix
Fish Go Deep
126 BPM · 10A · House
Relative key · same BPM — seamless blend
Body Jerkin'
Stacy Kidd
126 BPM · 10B · House
Same key · same BPM — seamless blend
10B → 10B
Same key, ±2 BPM. With 78% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Body Jerkin'
Stacy Kidd · 126 BPM · 10B
90 chemistry
10B → 10A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Let's Go
Gemini · 125 BPM · 10A
85 chemistry
10B → 9B · 11B
Adjacent keys through a breakdown. This one runs 7:08 — the outro gives you a full phrase to work with.
Big Love
Pete Heller's Big Love · 127 BPM · 11B
88 chemistry