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Tracks/Dog Days
Dog Days album art

Electronica · 2022

Dog Days

Lasha Chkhaidze

83

BPM

10B

D Major

Sustainer

Energy

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Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Dog Days by Lasha Chkhaidze is a bass-heavy Electronica track at 83 BPM with moderate drive and subtle groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 29 Jul 2022 · 6:28 · 39% mood · -11 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Dog Days?

83 BPM — squarely in electronica territory, mixable within roughly 78–88 BPM without pitch artefacts.

What key is Dog Days in?

D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.

What mixes well with Dog Days?

Tracks in 10B, 10A, 9B or 11B between ~78–88 BPM.

Where does Dog Days fit in a DJ set?

Groove sustainer — 50% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 83 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

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Mixing out of this track.

Now83 BPM · 10B→ three ways forward
Hold the groove

10B → 10B

Same key, ±2 BPM. With 39% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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85 chemistry

Change direction

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Adjacent keys through a breakdown. This one runs 6:28 — the outro gives you a full phrase to work with.

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