Rock · 1979
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Was Made For Lovin' You by Kiss is a bass-forward, groove-locked Rock track at 128 BPM with moderate drive and strong groove. At 28% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Jan 1979 · 4:31 · 57% mood · -14 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
28% energy places it in the warm-up — setting the room up before the climb.
Kiss is a dance artist working in electronic and club-oriented production. Their work engages with contemporary dance music aesthetics and production techniques.
128
Median BPM
9A
Top key
1995–2025
Active
4
Tracks
128 BPM — squarely in rock territory, mixable within roughly 123–133 BPM without pitch artefacts.
E Major — 12B on the Camelot wheel. Harmonically compatible with 12A, 11B and 1B.
Tracks in 12B, 12A, 11B or 1B between ~123–133 BPM.
Warm-up and opener — 28% energy with strong groove sets the tone before the energy climbs.
Explore: 128 BPM tracks · 12B tracks · 12B → 12A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Hit Me With Your Best Shot
Pat Benatar
128 BPM · 12B · Rock
Same key · same BPM — seamless blend
Caught Up In You
38 Special
130 BPM · 12B · Rock
Same key · +2 BPM — seamless blend
Hold On Loosely
38 Special
127 BPM · 12B · Rock
Same key · -1 BPM — seamless blend
Never There
Cake
126 BPM · 12B · Rock
Same key · -2 BPM — seamless blend
Dreams
The Cranberries
128 BPM · 12B · Pop
Same key · same BPM — keys match – long blend friendly
12B → 12B
Same key, ±2 BPM. With 95% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Hit Me With Your Best Shot
Pat Benatar · 128 BPM · 12B
87 chemistry
12B → 12A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
12B → 11B · 1B
Adjacent keys through a breakdown. This one runs 4:31 — the outro gives you a full phrase to work with.
Two Tickets to Paradise (2022 Remaster)
Eddie Money · 129 BPM · 11B
82 chemistry