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Tracks/Pleasure Yourself
Pleasure Yourself album art

Tech House · 1998

Pleasure Yourself

Kirlian (aka Abe Duque)

127

BPM

1A

A♭ Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Pleasure Yourself by Kirlian (aka Abe Duque) is a bass-heavy Tech House track at 127 BPM with moderate drive and strong groove. At 21% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 9 Jan 1998 · 7:48 · 29% mood · -15 dB loudness

The feel

Groovestrong
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

21% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Pleasure Yourself?

127 BPM — squarely in tech house territory, mixable within roughly 122–132 BPM without pitch artefacts.

What key is Pleasure Yourself in?

A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.

What mixes well with Pleasure Yourself?

Tracks in 1A, 1B, 12A or 2A between ~122–132 BPM.

Where does Pleasure Yourself fit in a DJ set?

Warm-up and opener — 21% energy with strong groove sets the tone before the energy climbs.

Explore: 127 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide · Tech House mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

541 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Pepsi

Mr. G

128 BPM · 1A · Tech House

Same key · +1 BPM — seamless blend

Mixing out of this track.

Now127 BPM · 1A→ three ways forward
Hold the groove

1A → 1A

Same key, ±2 BPM. With 68% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Deception De Real

Tim Xavier · 125 BPM · 1A

89 chemistry

Push the energy

1A → 1B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

1A → 12A · 2A

Adjacent keys through a breakdown. This one runs 7:48 — the outro gives you a full phrase to work with.

Horus

Butch · 125 BPM · 12A

87 chemistry

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