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Tracks/One Time
One Time album art

Breaks / Breakbeat / UK Bass · 2013

One Time

Keith Mackenzie, Curtis B

66

BPM

4A

F Minor

Peak time

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

One Time by Keith Mackenzie, Curtis B is a bass-heavy Breaks / Breakbeat / UK Bass track at 66 BPM with high drive and subtle groove. At 75% energy, it delivers peak-time intensity.

Released 9 Dec 2013 · 4:14 · 45% mood · -9 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivehigh
Warmthcool-toned

The bass weight is the story here — 97% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

75% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Keith Mackenzie.

Breaks / Breakbeat / UK Bass producer and DJ.

128

Median BPM

7A

Top key

2014–2025

Active

60

Tracks

View Keith Mackenzie’s profile

Quick answers.

What BPM is One Time?

66 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 61–71 BPM without pitch artefacts.

What key is One Time in?

F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.

What mixes well with One Time?

Tracks in 4A, 4B, 3A or 5A between ~61–71 BPM.

Where does One Time fit in a DJ set?

Peak-time weapon — 75% energy hits hard and holds the floor. Drop it when the room is already yours.

Explore: 66 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

123 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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65 BPM · 4A · Breaks / Breakbeat / UK Bass

Same key · -1 BPM — seamless blend

Mixing out of this track.

Now66 BPM · 4A→ three ways forward
Hold the groove

4A → 4A

Same key, ±2 BPM. With 25% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Foolishness

Doc Zee · 65 BPM · 4A

89 chemistry

Push the energy

4A → 4B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

4A → 3A · 5A

Adjacent keys through a breakdown. This one runs 4:14 — the outro gives you a full phrase to work with.

Sweet Bass

Thec4 · 66 BPM · 3A

88 chemistry

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