Electronica · 2014
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Amber Decay by Kangding Ray is a bass-heavy, groove-locked Electronica track at 124 BPM with high drive and strong groove. At 63% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 24 Feb 2014 · 6:31 · 31% mood · -9 dB loudness
The feel
The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
63% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Kangding Ray is an electronic music producer working in ambient and experimental electronica. His work emphasizes textural synthesis and atmospheric soundscapes within the broader electronic music landscape.
132
Median BPM
2A
Top key
2012–2025
Active
19
Tracks
124 BPM — squarely in electronica territory, mixable within roughly 119–129 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~119–129 BPM.
Mid-set energy builder — 63% energy with strong groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 124 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Sthlm Sunset
Ehrling
122 BPM · 10A · Electronica
Adjacent key · -2 BPM — seamless blend
Bad Dreams
Victor Lou
124 BPM · 9A · Electronica
Same key · same BPM — seamless blend
Counterpart
Bonobo
121 BPM · 8A · Electronica
Adjacent key · -3 BPM — seamless blend
Satisfied
Catching Flies
122 BPM · 8A · Electronica
Adjacent key · -2 BPM — seamless blend
Left Behind (Oliver Schories Remix)
Panama
122 BPM · 8A · Electronica
Adjacent key · -2 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 79% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Bad Dreams
Victor Lou · 124 BPM · 9A
89 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 6:31 — the outro gives you a full phrase to work with.
Sthlm Sunset
Ehrling · 122 BPM · 10A
88 chemistry