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Drop That album art

Mainstage · 2026

Drop That

JayD, MOOTA (KOR), TENDI

132

BPM

11B

A Major

Sustainer

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Drop That by JayD, MOOTA (KOR), TENDI is a bass-heavy Mainstage track at 132 BPM with moderate drive and balanced groove. At 54% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 30 Apr 2026 · 3:45 · 46% mood · -9 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthbalanced

The bass weight is the story here — 85% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

54% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Drop That?

132 BPM — squarely in mainstage territory, mixable within roughly 127–137 BPM without pitch artefacts.

What key is Drop That in?

A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.

What mixes well with Drop That?

Tracks in 11B, 11A, 10B or 12B between ~127–137 BPM.

Where does Drop That fit in a DJ set?

Groove sustainer — 54% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 132 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

601 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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92

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Adjacent key · same BPM — seamless blend

Mixing out of this track.

Now132 BPM · 11B→ three ways forward
Hold the groove

11B → 11B

Same key, ±2 BPM. With 64% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Let Me Go

Cyrus · 131 BPM · 11B

93 chemistry

Push the energy

11B → 11A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Can I Get A Bump

DJ Aron · 130 BPM · 11A

87 chemistry

Change direction

11B → 10B · 12B

Adjacent keys through a breakdown. This one runs 3:45 — the outro gives you a full phrase to work with.

Friday Night

DJ FLAKO · 133 BPM · 10B

90 chemistry

More around 132 BPM in compatible keys.

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Pompeii

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