Tech House · 2025
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
You Get Down - Extended Mix by James Hurr is a bass-heavy, groove-locked Tech House track at 126 BPM with moderate drive and strong groove. At 77% energy, it delivers peak-time intensity.
Released 7 Feb 2025 · 6:08 · 45% mood · -11 dB loudness
The feel
The bass weight is the story here — 79% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
77% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Tech House producer and DJ.
125
Median BPM
7B
Top key
2021–2026
Active
23
Tracks
126 BPM — squarely in tech house territory, mixable within roughly 121–131 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~121–131 BPM.
Peak-time weapon — 77% energy with strong groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 126 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide · Tech House mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Just Came For The Music - Extended Mix
Billy Kenny
124 BPM · 8A · Tech House
Same key · -2 BPM — seamless blend
Ravewerk
Dr. Fresch
126 BPM · 8A · Tech House
Same key · same BPM — seamless blend
Pra Nao Dizer
Hugel
125 BPM · 8A · Tech House
Same key · -1 BPM — seamless blend
Mi Amor
Cloonee
128 BPM · 8A · Tech House
Same key · +2 BPM — seamless blend
Bullseye - Extended Mix
HILLS
128 BPM · 8A · Tech House
Same key · +2 BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 78% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Just Came For The Music - Extended Mix
Billy Kenny · 124 BPM · 8A
92 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 6:08 — the outro gives you a full phrase to work with.
On Repeat - Extended Mix
Max Styler · 128 BPM · 9A
87 chemistry