House · 1997
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Caught Me Running - Joff Roach Mix by Jaimy & Kenny D is a bass-heavy, groove-locked House track at 135 BPM with moderate drive and strong groove. At 36% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 8 Jan 1997 · 5:35 · 41% mood · -14 dB loudness
The feel
The groove is the story here — 88% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
36% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
House producer and DJ.
135
Median BPM
10A
Top key
2000
Active
3
Tracks
135 BPM — squarely in house territory, mixable within roughly 130–140 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~130–140 BPM.
Groove sustainer — 36% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 135 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide · House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
I'm Lonely
Hollis P Monroe
133 BPM · 10A · House
Same key · -2 BPM — seamless blend
Feeling For You
Cassius
134 BPM · 11A · House
Adjacent key · -1 BPM — seamless blend
Encore Une Fois - Future Breeze Mix
Sash!
134 BPM · 10A · House
Same key · -1 BPM — seamless blend
Toca Me
Fragma
135 BPM · 9B · House
Key jump · same BPM — seamless blend
Baby Baby - Lee Marrow Radio Mix
Corona
133 BPM · 10A · Dance
Same key · -2 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 88% groove and heavy bass, long blends work — cut the incoming bass until the switch.
I'm Lonely
Hollis P Monroe · 133 BPM · 10A
89 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 5:35 — the outro gives you a full phrase to work with.
Feeling For You
Cassius · 134 BPM · 11A
88 chemistry