Breaks / Breakbeat / UK Bass · 2020
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Deadhead by Ital Tek is a bass-heavy Breaks / Breakbeat / UK Bass track at 86 BPM with moderate drive and subtle groove. At 65% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 5 Mar 2020 · 4:05 · 42% mood · -10 dB loudness
The feel
The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
65% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Electronica producer and DJ.
92
Median BPM
12A
Top key
13
Tracks
86 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 81–91 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~81–91 BPM.
Mid-set energy builder — 65% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 86 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Jimmy Cooks
Drake
83 BPM · 7B · Hip-Hop
Key jump · -3 BPM — energy stays level
Disorganize
Danny Scrilla
84 BPM · 9A · Breaks / Breakbeat / UK Bass
Adjacent key · -2 BPM — seamless blend
Sphinx
An-ten-nae
85 BPM · 7B · Breaks / Breakbeat / UK Bass
Key jump · -1 BPM — seamless blend
Babylon Rising
DJ Fresh
87 BPM · 7A · Breaks / Breakbeat / UK Bass
Adjacent key · +1 BPM — seamless blend
Scuzzy
Andreilien
86 BPM · 9A · Breaks / Breakbeat / UK Bass
Adjacent key · same BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 10% groove and heavy bass, long blends work — cut the incoming bass until the switch.
We Call Them feat. MC Ouda Ouda
Homesick · 86 BPM · 8A
80 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 4:05 — the outro gives you a full phrase to work with.
Disorganize
Danny Scrilla · 84 BPM · 9A
84 chemistry