Trap / Future Bass · 2022
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Always Gone by hyperforms is a bass-heavy Trap / Future Bass track at 174 BPM with moderate drive and subtle groove. At 81% energy, it delivers peak-time intensity.
Released 15 Apr 2022 · 3:10 · 47% mood · -11 dB loudness
The feel
The bass weight is the story here — 83% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
81% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Trap / Future Bass producer and DJ.
155
Median BPM
10A
Top key
3
Tracks
174 BPM — squarely in trap / future bass territory, mixable within roughly 169–179 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~169–179 BPM.
Peak-time weapon — 81% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 174 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Nice For What
Drake
93 BPM · 4A · Trap / Future Bass
Adjacent key · -81 BPM — seamless blend
Heartless
The Weeknd
170 BPM · 2A · Trap / Future Bass
Adjacent key · -4 BPM — seamless blend
Death Rattle
REAPER
174 BPM · 2A · Dubstep
Adjacent key · same BPM — seamless blend
Girls in the Hood
Megan Thee Stallion
90 BPM · 4A · Trap / Future Bass
Adjacent key · half-time — seamless blend
Darkaz - P Skinna Remix
Liondub
175 BPM · 4A · Trap / Future Bass
Adjacent key · +1 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 25% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Gatekeeper
Thread · 174 BPM · 3A
75 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 3:10 — the outro gives you a full phrase to work with.
Nice For What
Drake · 93 BPM · 4A
82 chemistry