Trap / Future Bass · 2024
Hoang
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
5 Years (feat. Dia Frampton) by Hoang is a bass-heavy Trap / Future Bass track at 161 BPM with moderate drive and balanced groove. At 77% energy, it delivers peak-time intensity.
Released 9 Aug 2024 · 3:20 · 58% mood · -10 dB loudness
The feel
The bass weight is the story here — 80% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
77% energy places it in the peak — the top of the night — full commitment, the room is already yours.
161 BPM — squarely in trap / future bass territory, mixable within roughly 156–166 BPM without pitch artefacts.
B Major — 1B on the Camelot wheel. Harmonically compatible with 1A, 12B and 2B.
Tracks in 1B, 1A, 12B or 2B between ~156–166 BPM.
Peak-time weapon — 77% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 161 BPM tracks · 1B tracks · 1B → 1A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Like I Used To
Tinashe
160 BPM · 1B · Trap / Future Bass
Same key · -1 BPM — seamless blend
SHOW MY ASS (VIP)
Morelia
164 BPM · 2A · Trap / Future Bass
Key jump · +3 BPM — seamless blend
Tsunami
DJ Snake
159 BPM · 1B · Hip-Hop
Same key · -2 BPM — seamless blend
Real Spring
Skrillex
156 BPM · 2B · Trap / Future Bass
Adjacent key · -5 BPM — seamless blend
My Weakness (feat. BRUX)
Godlands
160 BPM · 2A · Trap / Future Bass
Key jump · -1 BPM — seamless blend
1B → 1B
Same key, ±2 BPM. With 44% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Like I Used To
Tinashe · 160 BPM · 1B
89 chemistry
1B → 1A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
1B → 12B · 2B
Adjacent keys through a breakdown. This one runs 3:20 — the outro gives you a full phrase to work with.
Ooh Ah!
8Er$ · 155 BPM · 12B
85 chemistry