Trap / Future Bass · 2016
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
She Wanna Dolla by Henrix is a bass-heavy, high-drive Trap / Future Bass track at 100 BPM with high drive and balanced groove. At 75% energy, it delivers peak-time intensity.
Released 19 Dec 2016 · 3:46 · 54% mood · -10 dB loudness
The feel
The bass weight is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
75% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Big Room producer and DJ.
128
Median BPM
12B
Top key
2013–2016
Active
5
Tracks
100 BPM — squarely in trap / future bass territory, mixable within roughly 95–105 BPM without pitch artefacts.
E Major — 12B on the Camelot wheel. Harmonically compatible with 12A, 11B and 1B.
Tracks in 12B, 12A, 11B or 1B between ~95–105 BPM.
Peak-time weapon — 75% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 100 BPM tracks · 12B tracks · 12B → 12A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Used to Losing You feat. JT Roach
Luma
96 BPM · 12B · Trap / Future Bass
Same key · -4 BPM — seamless blend
Ric Flair Drip
Offset
100 BPM · 1A · Trap / Future Bass
Key jump · same BPM — seamless blend
My Name
Terravita
103 BPM · 12B · Trap / Future Bass
Same key · +3 BPM — seamless blend
Tip Toe 2
Riff Raff
100 BPM · 12B · Trap / Future Bass
Same key · same BPM — seamless blend
Turn Down for What
DJ Snake
100 BPM · 12B · Trap / Future Bass
Same key · same BPM — seamless blend
12B → 12B
Same key, ±2 BPM. With 62% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Used to Losing You feat. JT Roach
Luma · 96 BPM · 12B
89 chemistry
12B → 12A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
STEP BACK
PHNKR · 100 BPM · 12A
84 chemistry
12B → 11B · 1B
Adjacent keys through a breakdown. This one runs 3:46 — the outro gives you a full phrase to work with.
Bloody Morning - Sped Up
DVRST · 100 BPM · 11B
84 chemistry