Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Groove Me by Guy is a bass-forward R&B track at 108 BPM with moderate drive and balanced groove. At 21% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 17 Jul 2007 · 4:33 · 48% mood · -22 dB loudness
The feel
The warmth is the story here — 80% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
21% energy places it in the warm-up — setting the room up before the climb.
Trap / Future Bass producer and DJ.
108
Median BPM
12A
Top key
1988–1990
Active
5
Tracks
108 BPM — squarely in r&b territory, mixable within roughly 103–113 BPM without pitch artefacts.
C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.
Tracks in 12A, 12B, 11A or 1A between ~103–113 BPM.
Warm-up and opener — 21% energy with a steady groove sets the tone before the energy climbs.
Explore: 108 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Word Up
Cameo
116 BPM · 11A · R&B
Adjacent key · +8 BPM — seamless blend
Candy
Cameo
111 BPM · 10A · R&B
Energy-boost key · +3 BPM — seamless blend
Ladies Night
Kool & The Gang
110 BPM · 12A · R&B
Same key · +2 BPM — seamless blend
You Called And Told Me
Jeff Redd
107 BPM · 11A · R&B
Adjacent key · -1 BPM — seamless blend
Love's Comin' At Ya - 2004 Digital Remaster
Melba Moore
114 BPM · 12A · R&B
Same key · +6 BPM — seamless blend
12A → 12A
Same key, ±2 BPM. With 52% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Love's Comin' At Ya - 2004 Digital Remaster
Melba Moore · 114 BPM · 12A
84 chemistry
12A → 12B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Treat'm Right
Chubb Rock · 116 BPM · 12B
81 chemistry
12A → 11A · 1A
Adjacent keys through a breakdown. This one runs 4:33 — the outro gives you a full phrase to work with.
Word Up
Cameo · 116 BPM · 11A
87 chemistry