Trap / Future Bass · 2014
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Correction by Goon Squad is a bass-heavy Trap / Future Bass track at 109 BPM with moderate drive and subtle groove. At 89% energy, it delivers peak-time intensity.
Released 1 Apr 2014 · 5:04 · 42% mood · -12 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
89% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Goon Squad is a trap and future bass producer working within electronic music's darker, more experimental territories. Their sound blends heavy bass design with atmospheric production elements characteristic of the…
109
Median BPM
12B
Top key
3
Tracks
109 BPM — squarely in trap / future bass territory, mixable within roughly 104–114 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~104–114 BPM.
Peak-time weapon — 89% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 109 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Mira
Heimanu
113 BPM · 5A · Trap / Future Bass
Adjacent key · +4 BPM — seamless blend
Connected Illusions
Youngsta
105 BPM · 4A · 140 / Deep Dubstep / Grime
Same key · -4 BPM — seamless blend
Chasing Stars
Skyler
109 BPM · 3A · Trap / Future Bass
Adjacent key · same BPM — seamless blend
Masamune
Saka (US)
105 BPM · 4A · Trap / Future Bass
Same key · -4 BPM — seamless blend
Temple (feat. M.I.A & G-DRAGON)
Baauer
101 BPM · 5A · Trap / Future Bass
Adjacent key · -8 BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 14% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Masamune
Saka (US) · 105 BPM · 4A
86 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Black and Colors
Nitepunk · 115 BPM · 4B
79 chemistry
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 5:04 — the outro gives you a full phrase to work with.
Mira
Heimanu · 113 BPM · 5A
86 chemistry