Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Am Enough by Georgie Riot, Ellen Lynch is a bass-heavy Drum & Bass track at 65 BPM with moderate drive and subtle groove. At 98% energy, it delivers peak-time intensity.
Released 19 Apr 2024 · 2:30 · 44% mood · -8 dB loudness
The feel
The bass weight is the story here — 84% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
98% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Georgie Riot is a drum and bass producer working within the genre's electronic landscape. Her work engages with the fast breakbeats and bass-driven aesthetics central to the drum and bass sound.
88
Median BPM
12B
Top key
2026
Active
18
Tracks
65 BPM — squarely in drum & bass territory, mixable within roughly 60–70 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~60–70 BPM.
Peak-time weapon — 98% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 65 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide · Drum and Bass mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
This Life - Extended Mix
ABSOLUTE.
67 BPM · 9A · Breaks / Breakbeat / UK Bass
Adjacent key · +2 BPM — energy stays level
Believed
D-Sabber
65 BPM · 11A · Drum & Bass
Adjacent key · same BPM — seamless blend

Want U
DØSHI
65 BPM · 8A · Drum & Bass
Energy-boost key · same BPM — seamless blend
Unrest
Sine Step
66 BPM · 9A · UK Garage / Bassline
Adjacent key · +1 BPM — seamless blend
In Your Eyes
Audiojack
65 BPM · 11A · Breaks / Breakbeat / UK Bass
Adjacent key · same BPM — beatmatch and blend
10A → 10A
Same key, ±2 BPM. With 38% groove and heavy bass, long blends work — cut the incoming bass until the switch.
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 2:30 — the outro gives you a full phrase to work with.
Unrest
Sine Step · 66 BPM · 9A
80 chemistry