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Tracks/Drugs Are Different Things
Drugs Are Different Things album art

Minimal / Deep Tech · 2017

Drugs Are Different Things

George Campean

122

BPM

9B

G Major

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Drugs Are Different Things by George Campean is a bass-heavy, groove-locked Minimal / Deep Tech track at 122 BPM with moderate drive and strong groove. At 31% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 13 Feb 2017 · 11:07 · 45% mood · -13 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 97% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

31% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Drugs Are Different Things?

122 BPM — squarely in minimal / deep tech territory, mixable within roughly 117–127 BPM without pitch artefacts.

What key is Drugs Are Different Things in?

G Major — 9B on the Camelot wheel. Harmonically compatible with 9A, 8B and 10B.

What mixes well with Drugs Are Different Things?

Tracks in 9B, 9A, 8B or 10B between ~117–127 BPM.

Where does Drugs Are Different Things fit in a DJ set?

Warm-up and opener — 31% energy with strong groove sets the tone before the energy climbs.

Explore: 122 BPM tracks · 9B tracks · 9B → 9A key pair · Harmonic mixing guide · Minimal Techno mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

671 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
90

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Martin Buttrich

123 BPM · 9B · Tech House

Same key · +1 BPM — seamless blend

88

Do It

Satoshi Tomiie

124 BPM · 10A · Minimal / Deep Tech

Key jump · +2 BPM — seamless blend

86

Mirror Me feat. C.A.R. - Dark Dub

C.A.R.

122 BPM · 10B · Tech House

Adjacent key · same BPM — seamless blend

84

Shadows (Feat. Woodie S) - Edwin Oosterwal Dub

Pitto

122 BPM · 9A · Deep House

Relative key · same BPM — seamless blend

85

Cuenta Cuentos - Reprise

Pablo Bolivar

122 BPM · 9A · Minimal / Deep Tech

Relative key · same BPM — seamless blend

Mixing out of this track.

Now122 BPM · 9B→ three ways forward
Hold the groove

9B → 9B

Same key, ±2 BPM. With 91% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Rocket

Martin Buttrich · 123 BPM · 9B

90 chemistry

Push the energy

9B → 9A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Cuenta Cuentos - Reprise

Pablo Bolivar · 122 BPM · 9A

85 chemistry

Change direction

9B → 8B · 10B

Adjacent keys through a breakdown. This one runs 11:07 — the outro gives you a full phrase to work with.

Mirror Me feat. C.A.R. - Dark Dub

C.A.R. · 122 BPM · 10B

86 chemistry

More around 122 BPM in compatible keys.

Something in the Orange

Zach Bryan · 117 BPM · 9B

Manchild

Sabrina Carpenter · 123 BPM · 9B

Call Me Maybe

Carly Rae Jepsen · 120 BPM · 9B

Come As You Are

Nirvana · 120 BPM · 9B

Leave Before You Love Me

Marshmello · 120 BPM · 9B

Last Train to London

Electric Light Orchestra · 121 BPM · 9B