Pop · 1991
George Benson
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 4,200 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
4A → 4A
Same key, ±2 BPM. With 83% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Dva Kolca Dva Konca - Interlude
Lay-Far · 110 BPM · 4A
85 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Never Gonna Give You Up
Rick Astley · 113 BPM · 4B
81 chemistry
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 5:01 — the outro gives you a full phrase to work with.
Let's Dance - Single Version, 2014 Remaster
David Bowie · 113 BPM · 3A
84 chemistry
Give Me the Night by George Benson is a bass-forward, groove-locked Pop track at 111 BPM with low drive and strong groove. At 25% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Jan 1991 · 5:01 · 41% mood · -15 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
25% energy places it in the warm-up — setting the room up before the climb.
111 BPM — squarely in pop territory, mixable within roughly 106–116 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~106–116 BPM — top matches include The Space Between - 1999 Digital Remaster by Roxy Music (same key) and So Fine by Howard Johnson (adjacent key).
Warm-up and opener — 25% energy with strong groove sets the tone before the energy climbs.
Explore: 111 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide · Pop mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
The Space Between - 1999 Digital Remaster
Roxy Music
113 BPM · 4A · Dance
Same key · +2 BPM — seamless blend
So Fine
Howard Johnson
114 BPM · 5A · R&B
Adjacent key · +3 BPM — seamless blend
Blame It on the Boogie
The Jacksons
113 BPM · 5B · Pop
Key jump · +2 BPM — seamless blend
All Night Long (All Night)
Lionel Richie
109 BPM · 3B · R&B
Key jump · -2 BPM — seamless blend
I'm a Slave 4 U
Britney Spears
110 BPM · 5A · Pop
Adjacent key · -1 BPM — seamless blend