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Tracks/Everybody Knows feat. Foreign Beggars & OGz
Everybody Knows feat. Foreign Beggars & OGz album art

Dubstep · 2013

Everybody Knows feat. Foreign Beggars & OGz

Foreign Beggars, FuntCase, OGz

142

BPM

12A

C♯ Minor

Sustainer

Energy

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About this track.

Everybody Knows feat. Foreign Beggars & OGz by Foreign Beggars, FuntCase, OGz is a bass-forward Dubstep track at 142 BPM with moderate drive and balanced groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 17 Mar 2013 · 3:40 · 54% mood · -10 dB loudness

The feel

Groovebalanced
Bass weightforward
Drivemoderate
Warmthbalanced

The bass weight is the story here — 75% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

52% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Foreign Beggars.

Foreign Beggars are a UK-based electronic music duo known for their work in trap and future bass production. Their sound blends heavy percussion with atmospheric elements, establishing them as active contributors to the…

128

Median BPM

4A

Top key

2011–2025

Active

27

Tracks

View Foreign Beggars’s profile

Quick answers.

What BPM is Everybody Knows feat. Foreign Beggars & OGz?

142 BPM — squarely in dubstep territory, mixable within roughly 137–147 BPM without pitch artefacts.

What key is Everybody Knows feat. Foreign Beggars & OGz in?

C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.

What mixes well with Everybody Knows feat. Foreign Beggars & OGz?

Tracks in 12A, 12B, 11A or 1A between ~137–147 BPM.

Where does Everybody Knows feat. Foreign Beggars & OGz fit in a DJ set?

Groove sustainer — 52% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 142 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide

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Mixing out of this track.

Now142 BPM · 12A→ three ways forward
Hold the groove

12A → 12A

Same key, ±2 BPM. With 63% groove and heavy bass, long blends work — cut the incoming bass until the switch.

The Method To Madness

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92 chemistry

Push the energy

12A → 12B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

12A → 11A · 1A

Adjacent keys through a breakdown. This one runs 3:40 — the outro gives you a full phrase to work with.

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88 chemistry

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