Trap / Future Bass · 2025
Ethan Rash
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Quantum by Ethan Rash is a bass-heavy Trap / Future Bass track at 140 BPM with moderate drive and balanced groove. At 82% energy, it delivers peak-time intensity.
Released 24 Oct 2025 · 4:34 · 53% mood · -11 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
82% energy places it in the peak — the top of the night — full commitment, the room is already yours.
140 BPM — squarely in trap / future bass territory, mixable within roughly 135–145 BPM without pitch artefacts.
G Major — 9B on the Camelot wheel. Harmonically compatible with 9A, 8B and 10B.
Tracks in 9B, 9A, 8B or 10B between ~135–145 BPM.
Peak-time weapon — 82% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 140 BPM tracks · 9B tracks · 9B → 9A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Where Are Ü Now feat. Justin Bieber
Diplo
140 BPM · 9B · Trap / Future Bass
Same key · same BPM — seamless blend

Heaven
St. Mary
140 BPM · 9B · Trap / Future Bass
Same key · same BPM — seamless blend
Yellow Lights
Virtual Riot
145 BPM · 8B · Trap / Future Bass
Adjacent key · +5 BPM — seamless blend
Someone To Forget
Lights
140 BPM · 10B · Trap / Future Bass
Adjacent key · same BPM — seamless blend
TAMASHA
Nazaar
144 BPM · 10B · Trap / Future Bass
Adjacent key · +4 BPM — seamless blend
9B → 9B
Same key, ±2 BPM. With 60% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Heaven
St. Mary · 140 BPM · 9B
91 chemistry
9B → 9A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Hate2Late
DeFreight · 140 BPM · 9A
85 chemistry
9B → 8B · 10B
Adjacent keys through a breakdown. This one runs 4:34 — the outro gives you a full phrase to work with.
TAMASHA
Nazaar · 144 BPM · 10B
85 chemistry