Dubstep · 2015
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Spellbound by Eptic is a bass-forward Dubstep track at 145 BPM with moderate drive and balanced groove. At 74% energy, it delivers peak-time intensity.
Released 29 Jun 2015 · 5:11 · 52% mood · -11 dB loudness
The feel
The bass weight is the story here — 72% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
74% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Eptic is a dubstep producer known for heavy, bass-driven sound design and aggressive production techniques. His work spans the darker end of the dubstep spectrum, characterized by intricate layering and powerful drops.
140
Median BPM
4A
Top key
2012–2026
Active
65
Tracks
145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~140–150 BPM.
Peak-time weapon — 74% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 145 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Chaos Theory
GRiZ
70 BPM · 4A · Dubstep
Same key · half-time — seamless blend
REVENGE
Beastboi.
145 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
delusional...
VRG
144 BPM · 3B · Dubstep
Key jump · -1 BPM — seamless blend
Kore
Kayzo
143 BPM · 5A · Dubstep
Adjacent key · -2 BPM — seamless blend
Samir
Spag Heddy
145 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 55% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Jump
Conrank · 145 BPM · 4A
91 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 5:11 — the outro gives you a full phrase to work with.
Kore
Kayzo · 143 BPM · 5A
88 chemistry