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Tracks/Spellbound
Spellbound album art

Dubstep · 2015

Spellbound

Eptic

145

BPM

4A

F Minor

Peak time

Energy

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About this track.

Spellbound by Eptic is a bass-forward Dubstep track at 145 BPM with moderate drive and balanced groove. At 74% energy, it delivers peak-time intensity.

Released 29 Jun 2015 · 5:11 · 52% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightforward
Drivemoderate
Warmthbalanced

The bass weight is the story here — 72% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

74% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Eptic.

Eptic is a dubstep producer known for heavy, bass-driven sound design and aggressive production techniques. His work spans the darker end of the dubstep spectrum, characterized by intricate layering and powerful drops.

140

Median BPM

4A

Top key

2012–2026

Active

65

Tracks

View Eptic’s profile

Quick answers.

What BPM is Spellbound?

145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.

What key is Spellbound in?

F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.

What mixes well with Spellbound?

Tracks in 4A, 4B, 3A or 5A between ~140–150 BPM.

Where does Spellbound fit in a DJ set?

Peak-time weapon — 74% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 145 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide

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Mixes well with this track

518 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Same key · same BPM — seamless blend

Mixing out of this track.

Now145 BPM · 4A→ three ways forward
Hold the groove

4A → 4A

Same key, ±2 BPM. With 55% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Jump

Conrank · 145 BPM · 4A

91 chemistry

Push the energy

4A → 4B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

4A → 3A · 5A

Adjacent keys through a breakdown. This one runs 5:11 — the outro gives you a full phrase to work with.

Kore

Kayzo · 143 BPM · 5A

88 chemistry

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