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Tracks/Kill The System
Kill The System album art

Breaks / Breakbeat / UK Bass · 2017

Kill The System

Docolv

85

BPM

10A

B Minor

Sustainer

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Kill The System by Docolv is a bass-heavy Breaks / Breakbeat / UK Bass track at 85 BPM with moderate drive and balanced groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 14 Apr 2017 · 3:48 · 45% mood · -8 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 91% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Kill The System?

85 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 80–90 BPM without pitch artefacts.

What key is Kill The System in?

B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.

What mixes well with Kill The System?

Tracks in 10A, 10B, 9A or 11A between ~80–90 BPM.

Where does Kill The System fit in a DJ set?

Groove sustainer — 55% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 85 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

661 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now85 BPM · 10A→ three ways forward
Hold the groove

10A → 10A

Same key, ±2 BPM. With 57% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

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