Trap / Future Bass · 2000
DJ Laz
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Mami El Negro by DJ Laz is a bass-heavy Trap / Future Bass track at 131 BPM with moderate drive and balanced groove. At 43% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 21 Feb 2000 · 3:50 · 45% mood · -13 dB loudness
The feel
The bass weight is the story here — 91% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
43% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
131 BPM — squarely in trap / future bass territory, mixable within roughly 126–136 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~126–136 BPM.
Groove sustainer — 43% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 131 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Whoomp There It Is
Tag Team
129 BPM · 12B · Trap / Future Bass
Adjacent key · -2 BPM — seamless blend
We Paid
Lil Baby
135 BPM · 12A · Trap / Future Bass
Key jump · +4 BPM — seamless blend
Die For You
The Weeknd
67 BPM · 12A · Trap / Future Bass
Key jump · half-time — seamless blend
SpottieOttieDopaliscious
Outkast
125 BPM · 11B · Trap / Future Bass
Same key · -6 BPM — seamless blend
Hoochie Mama
2 Live Crew
132 BPM · 11B · Hip-Hop
Same key · +1 BPM — seamless blend
11B → 11B
Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Thick Ole
Kid Ink · 131 BPM · 11B
85 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Do the D Thing
2 Live Crew · 136 BPM · 11A
85 chemistry
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 3:50 — the outro gives you a full phrase to work with.
Whoomp There It Is
Tag Team · 129 BPM · 12B
89 chemistry