Tech House · 2026
DJ Fortune
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Come Away by DJ Fortune is a bass-heavy Tech House track at 91 BPM with moderate drive and balanced groove. At 47% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 23 May 2026 · 5:18 · 43% mood · -12 dB loudness
The feel
The bass weight is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
47% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
91 BPM — squarely in tech house territory, mixable within roughly 86–96 BPM without pitch artefacts.
A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.
Tracks in 1A, 1B, 12A or 2A between ~86–96 BPM.
Groove sustainer — 47% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 91 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide · Tech House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Hold On - Classic Vocal
Romanthony
93 BPM · 1A · Deep House
Same key · +2 BPM — seamless blend
Singularity
Audiojack
94 BPM · 1A · Tech House
Same key · +3 BPM — seamless blend
The Owl
Matt John
89 BPM · 2A · Tech House
Adjacent key · -2 BPM — seamless blend
Escápate Conmigo - Remix
Almighty
92 BPM · 1A · Latin
Same key · +1 BPM — energy stays level
Simplexity - Rone Remix
Max Cooper
94 BPM · 12B · Tech House
Key jump · +3 BPM — seamless blend
1A → 1A
Same key, ±2 BPM. With 64% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Singularity
Audiojack · 94 BPM · 1A
87 chemistry
1A → 1B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
1A → 12A · 2A
Adjacent keys through a breakdown. This one runs 5:18 — the outro gives you a full phrase to work with.
The Owl
Matt John · 89 BPM · 2A
87 chemistry