Trap / Future Bass · 2013
DJ Butcher (AUS)
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Hit That Switch by DJ Butcher (AUS) is a bass-heavy Trap / Future Bass track at 73 BPM with moderate drive and subtle groove. At 57% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 4 Mar 2013 · 3:45 · 49% mood · -9 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
57% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
73 BPM — squarely in trap / future bass territory, mixable within roughly 68–78 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~68–78 BPM.
Mid-set energy builder — 57% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 73 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Don't Let Me Let Go
Dillon Francis
73 BPM · 11B · Trap / Future Bass
Same key · same BPM — seamless blend
Take What You Want
Ozzy Osbourne
70 BPM · 12A · Trap / Future Bass
Key jump · -3 BPM — seamless blend
What's Your Fantasy
Ludacris
70 BPM · 12A · Trap / Future Bass
Key jump · -3 BPM — seamless blend
Mo Bamba
Sheck Wes
73 BPM · 12B · Trap / Future Bass
Adjacent key · same BPM — seamless blend
At Night
Yellow Claw
75 BPM · 11A · Trap / Future Bass
Relative key · +2 BPM — seamless blend
11B → 11B
Same key, ±2 BPM. With 27% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Don't Let Me Let Go
Dillon Francis · 73 BPM · 11B
91 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
At Night
Yellow Claw · 75 BPM · 11A
86 chemistry
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 3:45 — the outro gives you a full phrase to work with.
Only Getting Younger
Skrillex · 75 BPM · 12B
85 chemistry