Country · 2014
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Drunk On A Plane by Dierks Bentley is a bass-heavy, groove-locked Country track at 103 BPM with moderate drive and strong groove. At 51% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 25 Feb 2014 · 4:14 · 49% mood · -11 dB loudness
The feel
The bass weight is the story here — 79% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
51% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Country producer and DJ.
103
Median BPM
11B
Top key
2014–2025
Active
3
Tracks
103 BPM — squarely in country territory, mixable within roughly 98–108 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~98–108 BPM.
Groove sustainer — 51% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 103 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Springsteen
Eric Church
104 BPM · 10B · Country
Adjacent key · +1 BPM — seamless blend
Park
Tyler Hubbard
104 BPM · 10B · Country
Adjacent key · +1 BPM — seamless blend
But I Got A Beer In My Hand
Luke Bryan
104 BPM · 10B · Country
Adjacent key · +1 BPM — seamless blend
Drinkin' Problem
Midland (1)
102 BPM · 12B · Country
Adjacent key · -1 BPM — seamless blend
Neon Moon
Brooks & Dunn
102 BPM · 11B · Country
Same key · -1 BPM — seamless blend
11B → 11B
Same key, ±2 BPM. With 77% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Neon Moon
Brooks & Dunn · 102 BPM · 11B
84 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 4:14 — the outro gives you a full phrase to work with.
Park
Tyler Hubbard · 104 BPM · 10B
89 chemistry