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Tracks/I Should Have Been There
I Should Have Been There album art

Drum & Bass · 2019

I Should Have Been There

Dawn Wall

87

BPM

2B

F♯ Major

Builder

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

I Should Have Been There by Dawn Wall is a bass-heavy Drum & Bass / Liquid track at 87 BPM with moderate drive and balanced groove. At 65% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 6 Dec 2019 · 4:29 · 48% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 89% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

65% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Dawn Wall.

Dawn Wall is a drum and bass producer and DJ working across liquid, neurofunk, and related electronic styles. Their productions and DJ sets engage with the technical and atmospheric dimensions of the genre.

87

Median BPM

5A

Top key

2015–2024

Active

23

Tracks

View Dawn Wall’s profile

Quick answers.

What BPM is I Should Have Been There?

87 BPM — squarely in drum & bass territory, mixable within roughly 82–92 BPM without pitch artefacts.

What key is I Should Have Been There in?

F♯ Major — 2B on the Camelot wheel. Harmonically compatible with 2A, 1B and 3B.

What mixes well with I Should Have Been There?

Tracks in 2B, 2A, 1B or 3B between ~82–92 BPM.

Where does I Should Have Been There fit in a DJ set?

Mid-set energy builder — 65% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 87 BPM tracks · 2B tracks · 2B → 2A key pair · Harmonic mixing guide · Drum and Bass mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

643 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
92

Half Life

Dub Phizix

87 BPM · 3B · Drum & Bass

Adjacent key · same BPM — seamless blend

93

Tell Me

DJ Marky

87 BPM · 3A · Drum & Bass

Key jump · same BPM — seamless blend

90

The One I Need

Kelli-Leigh

87 BPM · 3A · Drum & Bass

Key jump · same BPM — seamless blend

93

Sunshine Mystery

Visages

87 BPM · 2B · Drum & Bass

Same key · same BPM — seamless blend

90

Perfect (Exceeder) - 1991 Remix

Mason

87 BPM · 3A · Drum & Bass

Key jump · same BPM — seamless blend

Mixing out of this track.

Now87 BPM · 2B→ three ways forward
Hold the groove

2B → 2B

Same key, ±2 BPM. With 54% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Sunshine Mystery

Visages · 87 BPM · 2B

93 chemistry

Push the energy

2B → 2A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Get It On

Amplify · 87 BPM · 2A

89 chemistry

Change direction

2B → 1B · 3B

Adjacent keys through a breakdown. This one runs 4:29 — the outro gives you a full phrase to work with.

Half Life

Dub Phizix · 87 BPM · 3B

92 chemistry

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LALA

Myke Towers · 92 BPM · 2B

Work

Drake · 92 BPM · 2B

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Nelly · 90 BPM · 2B

It Depends

Chris Brown · 85 BPM · 2B