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Tracks/To Eternity
To Eternity album art

House · 1996

To Eternity

Davidson Ospina

127

BPM

2B

F♯ Major

Warm-up

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

To Eternity by Davidson Ospina is a bass-heavy, groove-locked House track at 127 BPM with moderate drive and strong groove. At 25% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 3 Sep 1996 · 5:40 · 47% mood · -14 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthcool-toned

The groove is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

25% energy places it in the warm-up — setting the room up before the climb.

About Davidson Ospina.

House producer and DJ.

126

Median BPM

11A

Top key

1996–2015

Active

7

Tracks

View Davidson Ospina’s profile

Quick answers.

What BPM is To Eternity?

127 BPM — squarely in house territory, mixable within roughly 122–132 BPM without pitch artefacts.

What key is To Eternity in?

F♯ Major — 2B on the Camelot wheel. Harmonically compatible with 2A, 1B and 3B.

What mixes well with To Eternity?

Tracks in 2B, 2A, 1B or 3B between ~122–132 BPM.

Where does To Eternity fit in a DJ set?

Warm-up and opener — 25% energy with strong groove sets the tone before the energy climbs.

Explore: 127 BPM tracks · 2B tracks · 2B → 2A key pair · Harmonic mixing guide · House mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

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