Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
No Requests (feat. KRS-One) by Datsik, Krs-One is a bass-heavy Dubstep track at 118 BPM with moderate drive and balanced groove. At 69% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 25 Nov 2014 · 3:20 · 51% mood · -10 dB loudness
The feel
The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
69% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Datsik is a dubstep producer and DJ known for heavy, bass-driven sound design within the electronic music landscape. His work spans aggressive dubstep and drum and bass influences, contributing to the broader…
140
Median BPM
4A
Top key
2012–2018
Active
50
Tracks
118 BPM — squarely in dubstep territory, mixable within roughly 113–123 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~113–123 BPM.
Mid-set energy builder — 69% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 118 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Magnets
Zeds Dead
121 BPM · 4A · Dubstep
Same key · +3 BPM — seamless blend
Call Of The Unicorn
Tasha Baxter
118 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
MOAT
MAD DUBZ
121 BPM · 4A · Dubstep
Same key · +3 BPM — seamless blend
Psychonaut
Liquid Stranger
119 BPM · 5B · Dubstep
Key jump · +1 BPM — seamless blend
HEADS UP!
Vicious
119 BPM · 5A · Dubstep
Adjacent key · +1 BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Call Of The Unicorn
Tasha Baxter · 118 BPM · 4A
89 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 3:20 — the outro gives you a full phrase to work with.
HEADS UP!
Vicious · 119 BPM · 5A
85 chemistry