Breaks / Breakbeat / UK Bass · 2018
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Can Of Worms by Danny Scrilla is a bass-heavy Breaks / Breakbeat / UK Bass track at 160 BPM with moderate drive and subtle groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 27 Apr 2018 · 3:54 · 45% mood · -9 dB loudness
The feel
The bass weight is the story here — 94% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Breaks / Breakbeat / UK Bass producer and DJ.
85
Median BPM
2A
Top key
11
Tracks
160 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 155–165 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~155–165 BPM.
Groove sustainer — 50% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 160 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Lurker
Aloka
160 BPM · 3B · Bass / Club
Key jump · same BPM — seamless blend
Seeing Blind
DJ Jubilee 1997
160 BPM · 3B · Breaks / Breakbeat / UK Bass
Key jump · same BPM — seamless blend
Persistence of Memory, Pt. 1
Forest Drive West
160 BPM · 4A · Breaks / Breakbeat / UK Bass
Same key · same BPM — seamless blend
Dreaming - Amy Dabbs Remix
Malaika
159 BPM · 4A · Breaks / Breakbeat / UK Bass
Same key · -1 BPM — seamless blend
New Start feat. DJ Rashad feat. DJ Spinn
DJ Rashad
159 BPM · 3A · Bass / Club
Adjacent key · -1 BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 15% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Dreaming - Amy Dabbs Remix
Malaika · 159 BPM · 4A
87 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Jaguar - Remastered 2023
Om Unit · 160 BPM · 4B
82 chemistry
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 3:54 — the outro gives you a full phrase to work with.
Bring The Drums
G.T.O. · 160 BPM · 5A
83 chemistry