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Tracks/Flowers - Laurine Frost Remix
Flowers - Laurine Frost Remix album art

Minimal / Deep Tech · 2008

Flowers - Laurine Frost Remix

Dana Ruh, Nvelope

126

BPM

1A

A♭ Minor

Warm-up

Energy

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About this track.

Flowers - Laurine Frost Remix by Dana Ruh, Nvelope is a bass-heavy Minimal / Deep Tech track at 126 BPM with moderate drive and strong groove. At 29% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 30 Jul 2008 · 7:30 · 40% mood · -14 dB loudness

The feel

Groovestrong
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

29% energy places it in the warm-up — setting the room up before the climb.

About Dana Ruh.

Dana Ruh is a deep house producer and DJ known for her work in the electronic music underground. Her productions emphasize stripped-back grooves and hypnotic rhythms characteristic of the deep house aesthetic.

124

Median BPM

1A

Top key

2012–2015

Active

11

Tracks

View Dana Ruh’s profile

Quick answers.

What BPM is Flowers - Laurine Frost Remix?

126 BPM — squarely in minimal / deep tech territory, mixable within roughly 121–131 BPM without pitch artefacts.

What key is Flowers - Laurine Frost Remix in?

A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.

What mixes well with Flowers - Laurine Frost Remix?

Tracks in 1A, 1B, 12A or 2A between ~121–131 BPM.

Where does Flowers - Laurine Frost Remix fit in a DJ set?

Warm-up and opener — 29% energy with strong groove sets the tone before the energy climbs.

Explore: 126 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide · Minimal Techno mixing guide

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Mixes well with this track

613 tracks in its harmonic window.

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Same key · +1 BPM — seamless blend

Mixing out of this track.

Now126 BPM · 1A→ three ways forward
Hold the groove

1A → 1A

Same key, ±2 BPM. With 74% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Likewise Freak!

Ryan Crosson · 126 BPM · 1A

88 chemistry

Push the energy

1A → 1B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

1A → 12A · 2A

Adjacent keys through a breakdown. This one runs 7:30 — the outro gives you a full phrase to work with.

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