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Tracks/Butterfly
Butterfly album art

Pop · 2002

Butterfly

Crazy Town

103

BPM

8A

A Minor

Sustainer

Energy

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Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Butterfly by Crazy Town is a bass-heavy Pop track at 103 BPM with moderate drive and balanced groove. At 42% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 18 Nov 2002 · 3:35 · 46% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 81% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

42% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Butterfly?

103 BPM — squarely in pop territory, mixable within roughly 98–108 BPM without pitch artefacts.

What key is Butterfly in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with Butterfly?

Tracks in 8A, 8B, 7A or 9A between ~98–108 BPM.

Where does Butterfly fit in a DJ set?

Groove sustainer — 42% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 103 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide · Pop mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

453 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
89

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Amy Winehouse

104 BPM · 8A · Pop

Same key · +1 BPM — seamless blend

89

Date Rape

Sublime

101 BPM · 9A · Pop

Adjacent key · -2 BPM — seamless blend

86

Unwritten

Natasha Bedingfield

100 BPM · 7B · Pop

Key jump · -3 BPM — seamless blend

87

Semi-Charmed Life

Third Eye Blind

102 BPM · 9B · Pop

Key jump · -1 BPM — seamless blend

84

Doo Wop (That Thing)

Lauryn Hill

100 BPM · 8A · R&B

Same key · -3 BPM — seamless blend

Mixing out of this track.

Now103 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.

You Know I'm No Good

Amy Winehouse · 104 BPM · 8A

89 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Whistle

Flo Rida · 104 BPM · 8B

85 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 3:35 — the outro gives you a full phrase to work with.

Date Rape

Sublime · 101 BPM · 9A

89 chemistry

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Efecto

Bad Bunny · 98 BPM · 8A

Come On Eileen

Dexys Midnight Runners · 104 BPM · 8A