Electronica · 2017
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Entering The Zone by Claude Speeed is a bass-heavy Electronica track at 156 BPM with moderate drive and subtle groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 14 Jul 2017 · 2:38 · 44% mood · -14 dB loudness
The feel
The warmth is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Electronica producer and DJ.
137
Median BPM
10A
Top key
4
Tracks
156 BPM — squarely in electronica territory, mixable within roughly 151–161 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~151–161 BPM.
Groove sustainer — 50% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 156 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
The Big Clapper
Two Lone Swordsmen
159 BPM · 9B · Electronica
Key jump · +3 BPM — seamless blend
TT
Thomas Brinkmann
157 BPM · 9A · Electronica
Adjacent key · +1 BPM — seamless blend
Semicycle
Prototype (AR)
158 BPM · 9B · Electronica
Key jump · +2 BPM — seamless blend
Ghosts
Nino Sable
153 BPM · 11A · Electronica
Adjacent key · -3 BPM — seamless blend
Continuum
Akkord
159 BPM · 10A · Electronica
Same key · +3 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 21% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Continuum
Akkord · 159 BPM · 10A
85 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Better Days
Lost Astronaut · 156 BPM · 10B
83 chemistry
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 2:38 — the outro gives you a full phrase to work with.
TT
Thomas Brinkmann · 157 BPM · 9A
89 chemistry