Trap / Future Bass · 2024
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Neville Bartos by Cimm is a bass-heavy Trap / Future Bass track at 70 BPM with moderate drive and subtle groove. At 92% energy, it delivers peak-time intensity.
Released 23 Aug 2024 · 5:57 · 37% mood · -7 dB loudness
The feel
The bass weight is the story here — 99% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
92% energy places it in the peak — the top of the night — full commitment, the room is already yours.
140 / Deep Dubstep / Grime producer and DJ.
139
Median BPM
4A
Top key
2019–2024
Active
22
Tracks
70 BPM — squarely in trap / future bass territory, mixable within roughly 65–75 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~65–75 BPM.
Peak-time weapon — 92% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 70 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Gotta Have It
Kanye West
75 BPM · 1B · Hip-Hop
Key jump · +5 BPM — seamless blend
Taking Over? (It Ain't Working)
Jme
69 BPM · 2A · Trap / Future Bass
Same key · -1 BPM — seamless blend
Flip It - Tape B Remix
Tape B
144 BPM · 1A · Trap / Future Bass
Adjacent key · double-time — seamless blend
PANTS
BLVNKSPVCE
71 BPM · 2A · Dubstep
Same key · +1 BPM — seamless blend
Dangerous Sound
Eprom
75 BPM · 2A · Trap / Future Bass
Same key · +5 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 28% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Taking Over? (It Ain't Working)
Jme · 69 BPM · 2A
88 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 5:57 — the outro gives you a full phrase to work with.
Howler
Ternion Sound · 69 BPM · 1A
82 chemistry