Tech House · 2000
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
G4 by Casey Hogan is a bass-heavy Tech House track at 126 BPM with moderate drive and balanced groove. At 37% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 8 Apr 2000 · 6:31 · 36% mood · -12 dB loudness
The feel
The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
37% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Tech House producer and DJ.
126
Median BPM
8A
Top key
2000
Active
4
Tracks
126 BPM — squarely in tech house territory, mixable within roughly 121–131 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~121–131 BPM.
Groove sustainer — 37% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 126 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide · Tech House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Hoping - Matthew Herbert's High Dub
Louie Austen
124 BPM · 9A · House
Same key · -2 BPM — seamless blend
Grey
Kolsch
125 BPM · 9A · Tech House
Same key · -1 BPM — seamless blend
Galvanize - Chris Lake Extended Mix
The Chemical Brothers
128 BPM · 9B · Tech House
Relative key · +2 BPM — seamless blend
Different Side
Michael Bibi
128 BPM · 8B · Tech House
Key jump · +2 BPM — seamless blend
Smack Yo'
Beltran
127 BPM · 9B · Tech House
Relative key · +1 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 62% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Grey
Kolsch · 125 BPM · 9A
84 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Smack Yo'
Beltran · 127 BPM · 9B
82 chemistry
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 6:31 — the outro gives you a full phrase to work with.
Fat Cut
Hector Couto · 126 BPM · 8A
83 chemistry