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Tracks/Screaming Target
Screaming Target album art

Caribbean · 1972

Screaming Target

Big Youth

132

BPM

8A

A Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Screaming Target by Big Youth is a bass-heavy Caribbean / Reggae track at 132 BPM with moderate drive and subtle groove. At 29% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 1 Jan 1972 · 3:39 · 40% mood · -14 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 84% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

29% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Screaming Target?

132 BPM — squarely in caribbean territory, mixable within roughly 127–137 BPM without pitch artefacts.

What key is Screaming Target in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with Screaming Target?

Tracks in 8A, 8B, 7A or 9A between ~127–137 BPM.

Where does Screaming Target fit in a DJ set?

Warm-up and opener — 29% energy sets the tone before the energy climbs.

Explore: 132 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

495 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
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The Upsetters

132 BPM · 8A · Caribbean

Same key · same BPM — seamless blend

84

Exodus

Bob Marley & The Wailers

132 BPM · 8A · Caribbean

Same key · same BPM — seamless blend

85

Gal Pon De Side

Frisco Kid

135 BPM · 7A · Caribbean

Adjacent key · +3 BPM — seamless blend

80

I Like It Like That

Pete Rodriguez

133 BPM · 7B · Latin

Key jump · +1 BPM — seamless blend

79

Get Ready

The Temptations

135 BPM · 7A · R&B

Adjacent key · +3 BPM — seamless blend

Mixing out of this track.

Now132 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 36% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Zion's Blood

The Upsetters · 132 BPM · 8A

84 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Forward Ever Backward Never

Jacob Miller · 130 BPM · 8B

80 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 3:39 — the outro gives you a full phrase to work with.

Gal Pon De Side

Frisco Kid · 135 BPM · 7A

85 chemistry

More around 132 BPM in compatible keys.

Moonlight

XXXTENTACION · 128 BPM · 8A

Hotline Bling

Drake · 135 BPM · 8A

Young Folks

Peter Bjorn and John · 137 BPM · 8A

Baby Don't Hurt Me (feat. Anne-Marie & Coi Leray)

David Guetta · 128 BPM · 8A

I Kissed A Girl

Katy Perry · 130 BPM · 8A

Laugh Now Cry Later

Drake · 135 BPM · 8A