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Tracks/In The Street
In The Street album art

Pop · 2009

In The Street

Big Star

121

BPM

9B

G Major

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

In The Street by Big Star is a bass-forward Pop track at 121 BPM with moderate drive and subtle groove. At 42% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 11 Sep 2009 · 2:54 · 50% mood · -13 dB loudness

The feel

Groovesubtle
Bass weightforward
Drivemoderate
Warmthwarm

The warmth is the story here — 78% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

42% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is In The Street?

121 BPM — squarely in pop territory, mixable within roughly 116–126 BPM without pitch artefacts.

What key is In The Street in?

G Major — 9B on the Camelot wheel. Harmonically compatible with 9A, 8B and 10B.

What mixes well with In The Street?

Tracks in 9B, 9A, 8B or 10B between ~116–126 BPM.

Where does In The Street fit in a DJ set?

Groove sustainer — 42% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 121 BPM tracks · 9B tracks · 9B → 9A key pair · Harmonic mixing guide · Pop mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

650 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
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Everything

Michael Bublé

123 BPM · 10B · Pop

Adjacent key · +2 BPM — seamless blend

86

Rock Music

Charli XCX

121 BPM · 10B · Pop

Adjacent key · same BPM — seamless blend

85

My Love

T.I.

120 BPM · 9A · Pop

Relative key · -1 BPM — seamless blend

84

Call Me Maybe

Carly Rae Jepsen

120 BPM · 9B · Pop

Same key · -1 BPM — seamless blend

82

Blurred Lines

T.I.

120 BPM · 10B · Pop

Adjacent key · -1 BPM — seamless blend

Mixing out of this track.

Now121 BPM · 9B→ three ways forward
Hold the groove

9B → 9B

Same key, ±2 BPM. With 31% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Call Me Maybe

Carly Rae Jepsen · 120 BPM · 9B

84 chemistry

Push the energy

9B → 9A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

My Love

T.I. · 120 BPM · 9A

85 chemistry

Change direction

9B → 8B · 10B

Adjacent keys through a breakdown. This one runs 2:54 — the outro gives you a full phrase to work with.

Everything

Michael Bublé · 123 BPM · 10B

89 chemistry

More around 121 BPM in compatible keys.

Something in the Orange

Zach Bryan · 117 BPM · 9B

Manchild

Sabrina Carpenter · 123 BPM · 9B

Call Me Maybe

Carly Rae Jepsen · 120 BPM · 9B

Come As You Are

Nirvana · 120 BPM · 9B

Leave Before You Love Me

Marshmello · 120 BPM · 9B

Last Train to London

Electric Light Orchestra · 121 BPM · 9B