Dubstep · 2010
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Piano Tune by Bar 9 is a bass-heavy Dubstep track at 140 BPM with moderate drive and balanced groove. At 60% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 4 Oct 2010 · 4:47 · 45% mood · -11 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
60% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Dubstep producer and DJ.
140
Median BPM
4A
Top key
2008
Active
3
Tracks
140 BPM — squarely in dubstep territory, mixable within roughly 135–145 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~135–145 BPM.
Mid-set energy builder — 60% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 140 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Ultra
Automhate
140 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Menticide
SampliFire
140 BPM · 3A · Dubstep
Adjacent key · same BPM — seamless blend
In The Beginning
Zeds Dead
140 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Dark Light
Truth
140 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Losing Control - VIP
Jaenga
140 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 48% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Ultra
Automhate · 140 BPM · 4A
93 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 4:47 — the outro gives you a full phrase to work with.
Menticide
SampliFire · 140 BPM · 3A
91 chemistry