Electronica · 2026
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Lights Out by ALOTT is a bass-heavy Electronica track at 132 BPM with moderate drive and strong groove. At 60% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 1 May 2026 · 3:55 · 43% mood · -7 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
60% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Bass House producer and DJ.
127
Median BPM
4A
Top key
2025
Active
6
Tracks
132 BPM — squarely in electronica territory, mixable within roughly 127–137 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~127–137 BPM.
Mid-set energy builder — 60% energy with strong groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 132 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
NO BATIDÃO
slxughter
130 BPM · 4A · Brazilian Funk
Same key · -2 BPM — seamless blend
Sinai Ray
ATRIP
134 BPM · 5A · Electronica
Adjacent key · +2 BPM — seamless blend
Mesablanca
O'Flynn
129 BPM · 4A · Electronica
Same key · -3 BPM — seamless blend
Harmonic Frequencies
Elkka
132 BPM · 5A · Electronica
Adjacent key · same BPM — seamless blend
Rocksteady
The Bloody Beetroots
132 BPM · 4A · Electronica
Same key · same BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 71% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Mesablanca
O'Flynn · 129 BPM · 4A
91 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 3:55 — the outro gives you a full phrase to work with.
Sinai Ray
ATRIP · 134 BPM · 5A
91 chemistry