Progressive House · 2016
Ajmal
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Chimmer by Ajmal is a bass-heavy Progressive House track at 123 BPM with moderate drive and strong groove. At 40% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 18 Jul 2016 · 6:00 · 41% mood · -11 dB loudness
The feel
The bass weight is the story here — 94% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
40% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
123 BPM — squarely in progressive house territory, mixable within roughly 118–128 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~118–128 BPM.
Groove sustainer — 40% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 123 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide · Progressive House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
The Flood
Lane 8
123 BPM · 11B · Progressive House
Same key · same BPM — seamless blend
No Time
unders
124 BPM · 11B · Progressive House
Same key · +1 BPM — seamless blend
Shooting Arrows
Lane 8
124 BPM · 11B · Progressive House
Same key · +1 BPM — seamless blend
Macula - Extended Mix
Gai Barone
122 BPM · 11B · Progressive House
Same key · -1 BPM — seamless blend
Always Will feat. Nathan Nicholson - Extended Mix
Tinlicker
123 BPM · 12A · Progressive House
Key jump · same BPM — seamless blend
11B → 11B
Same key, ±2 BPM. With 73% groove and heavy bass, long blends work — cut the incoming bass until the switch.
The Flood
Lane 8 · 123 BPM · 11B
92 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 6:00 — the outro gives you a full phrase to work with.
Saw
John Fisherman · 123 BPM · 10B
89 chemistry