Mainstage · 2015
A Split Second
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Flesh by A Split Second is a bass-heavy, groove-locked Mainstage / Electro House track at 105 BPM with low drive and strong groove. At 24% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 16 Feb 2015 · 4:51 · 47% mood · -17 dB loudness
The feel
The groove is the story here — 81% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
24% energy places it in the warm-up — setting the room up before the climb.
105 BPM — squarely in mainstage territory, mixable within roughly 100–110 BPM without pitch artefacts.
C Major — 8B on the Camelot wheel. Harmonically compatible with 8A, 7B and 9B.
Tracks in 8B, 8A, 7B or 9B between ~100–110 BPM.
Warm-up and opener — 24% energy with strong groove sets the tone before the energy climbs.
Explore: 105 BPM tracks · 8B tracks · 8B → 8A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Don't Send Me Away
Garfield Fleming
106 BPM · 7A · Dance
Key jump · +1 BPM — seamless blend
Touch Tones feat. Synth Fellow Hawk
Perfect Female Type
104 BPM · 9B · Mainstage
Adjacent key · -1 BPM — seamless blend

Squeaky Clean
Mark Hyper
104 BPM · 9A · Mainstage
Key jump · -1 BPM — seamless blend
Burning Down The House - 2005 Remastered
Talking Heads
103 BPM · 7A · Dance
Key jump · -2 BPM — seamless blend
King James
Anderson .Paak
108 BPM · 9B · Trap / Future Bass
Adjacent key · +3 BPM — nudge tempo during the intro
8B → 8B
Same key, ±2 BPM. With 81% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Get This Feeling
Bekim! · 105 BPM · 8B
77 chemistry
8B → 8A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Walk This Way
Run DMC · 106 BPM · 8A
70 chemistry
8B → 7B · 9B
Adjacent keys through a breakdown. This one runs 4:51 — the outro gives you a full phrase to work with.
Touch Tones feat. Synth Fellow Hawk
Perfect Female Type · 104 BPM · 9B
84 chemistry