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202 album art

Techno (Peak Time / Driving) · 2012

202

A Guy Called Gerald

126

BPM

10A

B Minor

Sustainer

Energy

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Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

202 by A Guy Called Gerald is a bass-heavy Techno (Peak Time / Driving) track at 126 BPM with moderate drive and balanced groove. At 40% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 19 Dec 2012 · 4:38 · 44% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthbalanced

The bass weight is the story here — 96% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

40% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About A Guy Called Gerald.

A Guy Called Gerald is a tech house producer and DJ working in electronic music. His work centers on the rhythmic and technological elements characteristic of the tech house genre.

125

Median BPM

11B

Top key

1988–2013

Active

9

Tracks

View A Guy Called Gerald’s profile

Quick answers.

What BPM is 202?

126 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 121–131 BPM without pitch artefacts.

What key is 202 in?

B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.

What mixes well with 202?

Tracks in 10A, 10B, 9A or 11A between ~121–131 BPM.

Where does 202 fit in a DJ set?

Groove sustainer — 40% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 126 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

660 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
89

The Hope

Scuba

125 BPM · 9B · Techno (Peak Time / Driving)

Key jump · -1 BPM — seamless blend

92

Mainstream

Hollen

126 BPM · 10A · Techno (Peak Time / Driving)

Same key · same BPM — seamless blend

85

MPX309

Joris Voorn

129 BPM · 9B · Techno (Peak Time / Driving)

Key jump · +3 BPM — seamless blend

88

It Is What It Is

Rhythim Is Rhythim

127 BPM · 10A · Techno (Peak Time / Driving)

Same key · +1 BPM — seamless blend

85

Listen To Me

Lilly Palmer

128 BPM · 10A · Techno (Peak Time / Driving)

Same key · +2 BPM — seamless blend

Mixing out of this track.

Now126 BPM · 10A→ three ways forward
Hold the groove

10A → 10A

Same key, ±2 BPM. With 62% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Mainstream

Hollen · 126 BPM · 10A

92 chemistry

Push the energy

10A → 10B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

10A → 9A · 11A

Adjacent keys through a breakdown. This one runs 4:38 — the outro gives you a full phrase to work with.

Memories Of A Time Once Past But Long Forgotten

Alan Fitzpatrick · 126 BPM · 9A

84 chemistry

More around 126 BPM in compatible keys.

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P.Y.T. (Pretty Young Thing)

Michael Jackson · 127 BPM · 10A

Ain't No Mountain High Enough

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Disturbia

Rihanna · 125 BPM · 10A

LUNCH

Billie Eilish · 125 BPM · 10A

Bad Habits

Ed Sheeran · 126 BPM · 10A