Techno (Peak Time / Driving) · 2012
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
202 by A Guy Called Gerald is a bass-heavy Techno (Peak Time / Driving) track at 126 BPM with moderate drive and balanced groove. At 40% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 19 Dec 2012 · 4:38 · 44% mood · -11 dB loudness
The feel
The bass weight is the story here — 96% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
40% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
A Guy Called Gerald is a tech house producer and DJ working in electronic music. His work centers on the rhythmic and technological elements characteristic of the tech house genre.
125
Median BPM
11B
Top key
1988–2013
Active
9
Tracks
126 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 121–131 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~121–131 BPM.
Groove sustainer — 40% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 126 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
The Hope
Scuba
125 BPM · 9B · Techno (Peak Time / Driving)
Key jump · -1 BPM — seamless blend
Mainstream
Hollen
126 BPM · 10A · Techno (Peak Time / Driving)
Same key · same BPM — seamless blend
MPX309
Joris Voorn
129 BPM · 9B · Techno (Peak Time / Driving)
Key jump · +3 BPM — seamless blend
It Is What It Is
Rhythim Is Rhythim
127 BPM · 10A · Techno (Peak Time / Driving)
Same key · +1 BPM — seamless blend
Listen To Me
Lilly Palmer
128 BPM · 10A · Techno (Peak Time / Driving)
Same key · +2 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 62% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Mainstream
Hollen · 126 BPM · 10A
92 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 4:38 — the outro gives you a full phrase to work with.
Memories Of A Time Once Past But Long Forgotten
Alan Fitzpatrick · 126 BPM · 9A
84 chemistry