Mixing from 2B to 6B

How to mix this transition

This is a four-step wheel jump (2B → 3B → 4B → 5B → 6B), so treat it as a planned key change, not a blend. Use a breakdown or phrase boundary to telegraph the shift — bring in the 6B track during a stripped section or after a kick drop, giving the ear space to register the new harmonic center. EQ the incoming track's low-mids slightly during the overlap to avoid muddiness from the competing tonalities, then open it fully once the old track is gone. Avoid riding the crossfader slowly across this transition; a cleaner swap (8–16 bars of overlap at most) respects the distance and prevents the keys from fighting.