Mixing from 10A to 1A

How to mix this transition

Extend your blend to 16–24 bars to let the tonal shift settle; rushing this move sounds jarring because the ear expects either a fifth-based resolution or a relative major lift, not a downward parallel step. Kill or heavily filter the incoming track's low-end for 8 bars while the outgoing bass holds, then swap the kick on a phrase boundary — this prevents mud and lets the new key's weight land cleanly. Bring in the new track's melodic or harmonic hook (pad, arp, or vocal) before the bass, so listeners anchor to the new tonality before the low end resets. Avoid stacking this move with a BPM change or a major/minor flip; the tonal colour shift is already significant.