Effects & processing

Tremolo

Tremolo modulates volume up and down at a set rate. It is one of the oldest effects there is, and on a DJ mixer it is usually offered tempo-synced so the pulse lands on a division of the beat.

In practice

Tremolo moves volume, vibrato moves pitch. Synced to the beat it adds rhythm to something that has none.

Use it on sustained material — a pad, a held vocal, a breakdown — where the pulse it adds is doing real work. On a track that is already rhythmic it mostly fights the drums. A quarter or eighth note is the useful range; anything faster stops reading as rhythm and starts reading as texture, which is a different and much less controllable effect on a big system.

Volume

What it modulates

1/4–1/8

The useful rate

Sustained

What to use it on

Where these come from: Effect behaviour and club practice, not catalog figures. For what we can measure, see the pitch version.

Why it matters

Synced to the tempo it is a rhythmic tool rather than a wobble: at a quarter note it emphasises the pulse, at a sixteenth it turns a sustained pad into a stuttering one. That makes it a way to add rhythm to a track that has none, which is exactly what a breakdown often needs.

It is also frequently mistaken for vibrato, and the distinction is worth having straight — tremolo moves volume, vibrato moves pitch. Reaching for one when you meant the other produces a completely different result.

Frequently asked

What is the difference between tremolo and vibrato?+

Tremolo modulates volume; vibrato modulates pitch. They are constantly confused and produce entirely different results.

What rate should I use?+

A quarter or an eighth note if the mixer syncs it. Faster than that it stops sounding rhythmic and becomes a texture.

Where does tremolo work best?+

On sustained material — pads, held vocals, breakdowns — where the pulse it adds is supplying rhythm rather than competing with drums that already have it.

Related terms