Sound & signal

Tom

A tom is a pitched drum with no snare wires, sitting between the kick and the snare in range. In dance music toms mostly appear in fills and in the descending rolls that lead into a drop.

In practice

Toms are pitched drums in the low-mids — the busiest region in any blend, and they can clash harmonically.

Treat a tom roll as an event to mix around rather than through. If a fill lands during a transition, either be clear of it or have the other record’s low-mids already cut, because that is the frequency range everything in a blend is fighting over. And because they carry pitch, a long descending tom roll into a drop is one of the few drum elements that genuinely benefits from the two records being in key.

Pitched

Unlike a snare

Low-mids

Where they sit

Mix around

Not through

Where these come from: Arrangement and transition practice, not a catalog figure. For what we can measure, see where toms usually appear.

Why it matters

Toms are pitched, which is what separates them from every other drum in a kit and makes them a harmonic consideration. A tom roll states notes, so it can clash with an incoming record’s key in a way a snare fill never does.

They also occupy the low-mids, the most crowded part of a blend. A tom fill arriving while another record’s bassline and pads are present is three things competing for one region, which is why fills so often sound muddy in a mix and clean on their own.

Frequently asked

Are toms pitched?+

Yes, and that is what separates them from snares. A tom roll states notes, so it can clash harmonically with whatever else is playing.

Why do fills sound muddy in a mix?+

Toms sit in the low-mids, which is already the most crowded part of any blend. Add a second record’s bass and pads and three things are competing for one region.

Should I avoid mixing over a tom roll?+

Mix around it where you can. If you cannot, have the other record’s low-mids cut before it arrives.

Related terms